Genesis 47 places the family safely in Goshen while the wider famine continues. Joseph administers food and land through a severe economic crisis, Jacob reflects on his long life before Pharaoh, and the chapter closes with his request not to be buried in Egypt.
Joseph presents five brothers to Pharaoh, then brings Jacob before him. Jacob blesses Pharaoh, speaks briefly about his years, and the family receives land in the best part of Egypt.
Open scene →As famine worsens, people spend their money on grain and later exchange livestock for food. When those resources are gone, they return to Joseph asking for seed and survival.
Open scene →Joseph acquires land for Pharaoh as the famine continues, relocates the population according to the text and provides seed under a lasting arrangement in which a fifth of produce goes to Pharaoh.
Open scene →Israel’s family settles and grows in Goshen. As Jacob nears death, he calls Joseph and asks him to swear that he will bury him with his fathers rather than in Egypt.
Open scene →The boundaries follow changes in speaker, location, action or narrative purpose rather than equal verse counts. SacraScenes keeps a longer passage together when it functions as one movement and starts a new scene when the chapter clearly changes direction. That makes the visual sequence useful for reading rather than merely slicing the source into matching-sized blocks. Each card links to an editorial page and then to the immersive reader at the exact Scripture range.
SacraScenes keeps the pastoral settlement separate from the two stages of famine administration, then closes with the private burial oath. Hunger and loss of property are shown soberly without demeaning impoverished people or glorifying administrative power.
The artwork is an original generated interpretation, not a photograph, archaeological reconstruction or doctrinal authority. Clothing, architecture and landscape are kept broadly appropriate to the biblical setting while uncertain details remain intentionally restrained. The Scripture panel is separate and labelled World English Bible (Catholic), so readers can compare the visual retelling with the public-domain source instead of receiving a blended paraphrase as though it were Bible text.
English visual edition first. The complete Scripture source is available in English for this scene collection. Slovenian and German remain disabled here until their historical Catholic source text has been reviewed rather than silently replaced with English.
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Editorial overview updated 30 September 2026.