SACRA SCENES
THE VISUAL CATHOLIC BIBLE
Genesis 10 · visual collection

Families spread into lands and nations in four visual genealogy scenes.

Genesis 10 is a genealogy on a world-sized scale. Instead of creating a thin page for every name, SacraScenes follows its four larger movements: Japheth’s branches and coastlands, the Hamite line with the unusual Nimrod and city-building section, Mizraim and Canaan’s descendants and territories, and finally Shem’s descendants with the chapter-wide summary of families and nations after the flood. The visual system deliberately avoids turning ancient genealogical names into a modern racial or political map.

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The four scenes

Genesis 10:1–5

Japheth’s branches spread

Genesis 10 opens as a family record after the flood. Noah’s sons are named again, and the genealogy begins with Japheth.

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Genesis 10:6–12

Nimrod and the first kingdoms

The line of Ham begins with familiar genealogical form, but one name changes the pace. Cush fathers Nimrod, and Genesis describes him as becoming a mighty man on the earth and as a mighty hunter before Yahweh.

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Genesis 10:13–20

Mizraim and Canaan’s lines

Genesis 10 continues with descendants of Mizraim, naming several peoples in rapid succession. The text then turns to Canaan’s descendants and gives more geographic detail than a simple family list would require.

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Genesis 10:21–32

Shem and the nations after the flood

The final part of Genesis 10 turns to Shem and traces several branches of his descendants. The genealogy passes through Arpachshad to Shelah and Eber, then names Peleg and Joktan and continues through Joktan’s many sons.

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A genealogy is not a modern race chart

The chapter repeatedly uses categories such as families, languages, lands and nations. SacraScenes preserves those categories without claiming that every ancient name corresponds directly to a present-day nationality or biological race. The images therefore show migration, settlements, coastlands, cities and branching family groups without flags, modern borders or stereotyped ethnic appearances. Nimrod’s unusually narrative section receives its own visual emphasis because Genesis itself pauses there.

English visual edition first

Every Genesis 10 scene uses the exact public-domain World English Bible (Catholic) verse range in the Scripture panel. Slovenian and German visual options remain disabled until matching historical Catholic ranges are reviewed. The editorial pages distinguish secure statements from uncertain historical identifications rather than turning a generated image into evidence for one theory of ancient peoples.

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Editorial overview updated 24 September 2026.